Reversal of Male/Female Roles in Sister Carrie :: Sister Carrie Essays

Dreiser's Reversal of Male/Female Roles in Sister Carrie    The novel Sister Carrie seems to be the platform from which Dreiser explores his unconventional views of the genders. In the world of Sister Carrie, it would seem that the role of women as trusting, caring creatures, and men as scheming victimizers is reversed; it is Carrie that uses the men around her to get what she wants, and it is those men who are victimized by her. Thus Dreiser uses this novel as a means of questioning the popular notions of gender and the role that it plays in modern society.      Ã‚  Ã‚   In Sister Carrie, it would seem that Carrie, while outwardly benign, and possibly even deserving of her portrayal as sweet and innocent at the beginning, soon emerges as a ruthless predator in the guise of a helpless woman. From her relationship with Drouet, she manages to gain the experience and social skills to pursue higher aspirations. She seems to stay with Drouet only long enough to see that better things are available, comforts more extravagant than Drouet can provide, and cultural experiences and social nuances whose existence Drouet seems unaware of. Drouet, then, acts as a stepping stone for her. When he no longer has anything he can offer her, she drops him in favor of Hurstwood. In Hurstwood, Carrie sees all that lacks in Drouet--a more acute sense of culture and worldliness, and the wealth to explore the new wonders of civilized Chicago life.    Hurstwood serves as yet another step in her ladder to success, and when he sinks into poverty and self-disgrace after his divorce, she sees him as a no longer being an asset, and leaves him in favor of striking out on her own, leaving him to turn into a beggar, while she makes it big. Too, after she makes it big, and Drouet comes to see her, she can no longer see him as a friend worthy of her company, and in fact avoids ever seeing him again. The fact that she owes her success to Drouet and Hurstwood seems inconsequential to her. It would seem also at the end of her road to fame, when she is receiving social invitations from millionaires and famous figures, that she sees herself as being to good for any of them; she sees herself as being too good for the company of any man.